{"id":712,"date":"2017-03-28T13:21:46","date_gmt":"2017-03-28T12:21:46","guid":{"rendered":"http:\/\/mixarts.org\/association\/?p=712"},"modified":"2023-06-08T10:42:53","modified_gmt":"2023-06-08T09:42:53","slug":"mardi-28-mars-campus","status":"publish","type":"post","link":"http:\/\/mixarts.org\/association\/2017\/mardi-28-mars-campus\/","title":{"rendered":"Mardi 28 mars &#8211; Campus"},"content":{"rendered":"<h3>\u25cf\u25cf\u25cf <a href=\"https:\/\/www.facebook.com\/events\/1826578457630024\/\">CONCERT MUSIQUE R\u00c9UNIONNAISE<\/a> \u25cf\u25cf\u25cf<\/h3>\n<blockquote><p>\u00ab J\u2019peux pas j\u2019ai r\u00e9union ! \u00bb \/ \u00ab T\u2019as mal o\u00f9 ? J\u2019ai maloya ! \u00bb<\/p><\/blockquote>\n<p>Le \u00ab maloya \u00bb, est un chant incantatoire, tradition des esclaves noirs, qui fut interdit entre 1946 et 1970. Dany\u00e8l Waro, musicien rebelle et extatique, compose ses chansons en r\u00e9unissant tous les instruments traditionnels de La R\u00e9union, sa musique est une rencontre musicale entre consciences politique et po\u00e9tique.<\/p>\n<h3>&gt;&gt;&gt; <a href=\"https:\/\/www.facebook.com\/danyelwaro\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=424871370944746&amp;extragetparams=%7B%22directed_target_id%22%3A1826578457630024%7D\" data-hovercard-prefer-more-content-show=\"1\">Dany\u00e8l Waro<\/a>\u00a0et <a href=\"https:\/\/www.facebook.com\/zanmari.bare2016\/?fref=ts\">Zanmari Bar\u00e9<\/a> (Maloya) &#8211; Saint Denis &#8211; R\u00e9union<\/h3>\n<p>Si le maloya est l\u2019embl\u00e8me musical de l\u2019\u00eele de La R\u00e9union, Danyel Waro en est sans conteste le porte-drapeau. En cr\u00e9ole, il d\u00e9nonce les nouvelles formes de d\u00e9pendances qui ligotent encore les \u00eeles \u00e0 l\u2019\u00e9tat fran\u00e7ais. Musicien autant que po\u00e8te, fabrica<span class=\"text_exposed_show\">nt d\u2019instruments et infatigable militant de la cause cr\u00e9ole, ce personnage aux convictions tr\u00e8s fortes est parvenu en quelques albums \u00e0 s\u2019imposer comme un artiste de r\u00e9f\u00e9rence sur la sc\u00e8ne des musiques du monde.<br \/>\n<\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=fx7wRsQnuYQ\">https:\/\/www.youtube.com\/watch?v=fx7wRsQnuYQ<\/a><\/p>\n<h3>&gt;&gt;&gt; <a href=\"https:\/\/www.facebook.com\/Les-Pythons-de-la-Fournaise-597382673752625\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=597382673752625&amp;extragetparams=%7B%22directed_target_id%22%3A1826578457630024%7D\" data-hovercard-prefer-more-content-show=\"1\">Les Pythons de la Fournaise<\/a> (S\u00e9ga, maloya) &#8211; Chamb\u00e9ry<\/h3>\n<p><span class=\"text_exposed_show\">Le chanteur guitariste r\u00e9unionnais Ren\u00e9 Cadet, accompagn\u00e9 par les Pythons de la Fournaise, joue le s\u00e9ga, musique traditionnelle et populaire de l\u2019Oc\u00e9an Indien. Ce style dansant et syncop\u00e9, chant\u00e9 en cr\u00e9ole, fusion des cultures afro-malgache, indienne et occidentale, reste injustement m\u00e9connu au-del\u00e0 des \u00eeles qui l\u2019ont vu na\u00eetre. Les Pythons vous proposent de vous y plonger avec leurs propres versions de s\u00e9gas 60\u2019s et 70\u2019s, o\u00f9 se c\u00f4toient basse, batterie, claviers psych\u00e9s, \u00e9cho guitares et instruments traditionnels.<br \/>\n<\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=qMHu16KF7Bw\">https:\/\/www.youtube.com\/watch?v=qMHu16KF7Bw<\/a><\/p>\n<h3>\u25cf\u25cf\u25cf LIEU \u25cf\u25cf\u25cf<\/h3>\n<p><span class=\"text_exposed_show\">EVE (Espace de Vie Etudiante)<br \/>\n701 avenue centrale \u2013 38400 Saint Martin d\u2019H\u00e8res<\/span><\/p>\n<h3><span class=\"text_exposed_show\">\u25cf\u25cf\u25cf ACC\u00c8S \u25cf\u25cf\u25cf<\/span><\/h3>\n<p><span class=\"text_exposed_show\">Tram B &amp; C \u2013 Arr\u00eat Gabriel Faur\u00e9 <\/span><\/p>\n<h3><span class=\"text_exposed_show\">\u25cf\u25cf\u25cf TARIFS \u25cf\u25cf\u25cf<\/span><\/h3>\n<p><span class=\"text_exposed_show\">De 10 \u00e0 17\u20ac<br \/>\n<\/span><span class=\"text_exposed_show\">Pr\u00e9ventes en ligne : <a href=\"http:\/\/mixarts.org\/association\/preventes-en-lignes\/\">CLIQUEZ ICI<\/a><\/span><\/p>\n<h3><span class=\"text_exposed_show\">\u25cf\u25cf\u25cf HORAIRES \u25cf\u25cf\u25cf<\/span><\/h3>\n<p><span class=\"text_exposed_show\">Ouverture des portes \u00e0 20h<br \/>\nFin du concert \u00e0 23h30<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u25cf\u25cf\u25cf CONCERT MUSIQUE R\u00c9UNIONNAISE \u25cf\u25cf\u25cf \u00ab J\u2019peux pas j\u2019ai r\u00e9union ! \u00bb \/ \u00ab T\u2019as mal o\u00f9 ? J\u2019ai maloya ! \u00bb Le \u00ab maloya \u00bb, est un chant incantatoire, tradition des esclaves noirs, qui fut interdit entre 1946 et 1970. Dany\u00e8l Waro, musicien rebelle et extatique, compose ses chansons en r\u00e9unissant tous les instruments [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":715,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[36],"tags":[17,5],"class_list":["post-712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-36","tag-concert-passe","tag-event"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/posts\/712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/comments?post=712"}],"version-history":[{"count":3,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/posts\/712\/revisions"}],"predecessor-version":[{"id":719,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/posts\/712\/revisions\/719"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/media?parent=712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/categories?post=712"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/mixarts.org\/association\/wp-json\/wp\/v2\/tags?post=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}